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Networking Online VS Networking Offline
A question I get a
lot from clients I coach is whether it's better to try and connect with people
offline in the real world or online via email, facebook, linkedin and so
on. Although I don't think either method
is necessarily superior to the other, I think there are pros and cons to both
that are important to be aware of.
Let's discuss networking offline first...
There is something
about meeting someone face to face, in real time and in real life that simply
can't be replicated online. When you are
able to look someone in the eye and speak to them directly, you are able to
form a much more personal connection that simply can't be created via email or
facebook. Some of my best connections
have come about as a result of first forming a personal relationship with
someone. In many cases these
relationships moved to email later down the road, with the occasional phone
call when necessary.
A great way to meet
people in the music business is at industry events and conferences. One of my clients from my latest mentorship
program attended an industry conference recently where she was able to play a
prominent licensing agent her music right on the spot. The agent loved her music, they set up a
meeting a couple weeks later and she was offered a deal on the spot.
Of course, there are
usually costs associated with attending industry events and conferences, and
depending on where you're located there are potentially travel and lodging
costs as well. If you're in a different
state than where the event is being held these costs can add up very
quickly. A three day conference in LA
can easily end up costing you a couple thousand dollars by the time all is said
and done. These costs obviously need to
be weighed against the potential upside.
Networking Online
In general, my
experience networking online as opposed to offline, is that things seem to take
longer. It takes longer to develop
relationships this way usually. People
aren't nearly as inclined to respond quickly to someone they don't know. However, I've made some great contacts this way
as well. I've made a few great contacts
with people that I've still never had the chance to meet in person.
Depending on where you're
located, you simply have to do the best you can do in terms of networking. If you're not in major music city like LA or
New York, don't let that hold you back from connecting with people who are
located in those cities. Reach out via
email or phone, send them your music and of course, always follow up.
Remember that a lot of
music industry people are busy and get sent a lof of music. BUT....
if your music is good enough, they're going to want to speak with you, regardless
of where you live or how you met.
This weekend only get all my products (excluding my new "master classes") for one low price! Save Over $100.00 off the cost of purchasing my products separately this weekend only.
Here's what's included:
1) 2013 TV And Film Music Business Directory
2) A Songwriter's Guide To Music Licensing Ebook
3) The A To Z Of Music Licensing
4) The Music Licensing Newsletter Compendium
5) Music Licensing Audio Interview Bundle
6) Sample Contracts
7) The A To Z Of Creating An Information Product Business
8) Thirty Years In Thirty Days Ebook by Gary Gray - Learn Thirty Years Of Production And Engineering Secrets In Just Thirty Days!
9) My New Ebook - "An Insider's Guide To Music Licensing"
Learn everything you need to know to start making money by licensing your songs in tv and films. This comprehensive package covers it ALL. You'll learn how the business works, how to get your songs to the right people, how contracts work, how you get paid, how to self publish your music and much, much more.
This special bundle includes several years worth of courses, interviews and ebooks and also includes the most recent version of our TV And Film Music Licensing Directory so you can start submitting your music right away.
Happy Songwriting!
Aaron Davison