Thanks to everyone who took part in my experiment and voted on which version of my song is AI and which is human-made. The responses have been fascinating, and the results are almost evenly split so far. I’ll reveal the answer on Monday. If you haven’t yet,
you can still listen to both versions and cast your vote here.
On Monday, September 15, I’m releasing my first full-length book in over a decade, The AI Music Licensing Playbook. I’ve spent the last six months creating this deep dive into how AI is transforming the world of sync licensing.
At over 36,000 words
and 200 + pages, this book is the most in-depth resource on how AI is reshaping sync licensing. It breaks down everything musicians need to know right now about a technology that’s rapidly transforming both the music business and the world of sync. Pre-order this weekend and save $10 off the full price. Read the first chapter and learn more here: https://www.htlympremium.com/aiplaybook.html
Can AI Tracks Be Licensed? What Music Libraries and Supervisors Are Saying Right Now AI platforms like Suno and Udio can now create songs that sound professional
in minutes. Full arrangements, vocals, and production can be generated with nothing more than a text prompt. For musicians exploring sync licensing, the potential seems enormous. Why spend weeks producing a track when a polished draft can be made instantly? But the reality is more complicated. Music licensing is not just about sound quality. It is about ownership, legal clarity, and trust. Right now,
supervisors and libraries are treading carefully, and their hesitation has important consequences for artists hoping to use AI in their sync careers. Why Ownership Matters More Than SoundWhen a supervisor licenses a track for TV, film, or
advertising, they need to know exactly who owns it. The composition must belong to a writer or publisher, and the master must belong to someone with the legal right to license it. If either of those claims is murky, the placement dies on the spot. This is why AI-only tracks run into trouble. The U.S. Copyright Office has ruled that works created entirely by AI without human authorship cannot be
copyrighted. That means there is no legal author to grant permission, and no way to collect royalties. Even if an AI platform says you are allowed to use its outputs commercially, most supervisors will not risk a potential dispute. Sync licensing is built on confidence. Buyers are not paying only for music. They are paying for the guarantee that no one will sue them
later. How Libraries Are RespondingThe largest and most established libraries are refusing fully AI-generated tracks. They cannot afford to compromise the integrity of their catalogs. When a client asks for a license, the library has to be
able to say with absolute certainty that all rights are clear. That is impossible with AI-only tracks. Some libraries are cautiously open to AI-assisted tracks. These are pieces where the creator used AI as a starting point but added enough human authorship to claim copyright. If you recorded vocals, layered real instruments, or rewrote melodies, you have authorship. If you can prove your
contributions, some libraries will listen. Smaller indie libraries and micro-licensing platforms are experimenting more. They are sometimes willing to place AI-assisted tracks in YouTube videos, podcasts, or small-scale indie projects. These placements are lower risk and lower budget. They can be useful as stepping stones, but they are not the kinds of placements that generate large sync fees or
significant performance royalties. Meanwhile, some libraries are integrating AI behind the scenes. Tools like Cyanite, which provide AI-powered tagging and search, are being adopted to help clients find the right track faster. That shows libraries are open to AI technology, but only in ways that do not compromise ownership. What Supervisors Are SayingMusic supervisors are curious about AI, but they are also cautious. In panels, interviews, and private conversations, many have said the same thing. They do not mind if AI is part of the process, but they want to hear real human creativity in the final result. A supervisor wants to know that the track they license has human fingerprints all over it. They want to see proof of authorship. They want stems they can work with, vocals that were actually sung, and compositions that can be registered with a PRO. They want to know that if they license the track, no one will contest their use of it. For this reason, supervisors
consistently say that AI is acceptable as a sketchpad, not as the sole composer. They see value in using AI to speed up workflows, generate ideas, or spark inspiration. But they are not looking for music that is generated entirely by machine with no human input. The Practical Way to Make AI Safe for
SyncIf you want to use AI tools and still compete in sync licensing, you need to approach them as part of your workflow, not as your replacement. Here are the principles to follow: - Add real human authorship. Record vocals, play instruments, edit the arrangement, and make decisions that clearly shape the final result.
- Pay for commercial rights. Free tiers of platforms like Suno often restrict use. Always upgrade to a plan that allows commercial licensing.
- Keep your records. Save your stems, prompts, project files, and notes. If anyone asks, you can prove exactly how you created the track.
- Be transparent. If you pitch to a library, explain how you worked. Show that your track has human authorship and is safe to license.
These steps will not guarantee acceptance, but they make your catalog much stronger. Looking AheadThe rules are still being written. The U.S. Copyright Office has started issuing guidance on registering works that combine AI and human authorship. In Europe, the AI Act is rolling out, requiring transparency about training data. Major record labels are negotiating with AI platforms about licensed use of their catalogs. These moves will
eventually reshape the field. For now, the safest path is clear. Supervisors and libraries want human authorship. They want music that has emotion, originality, and defensible rights. AI can help you reach that point faster, but it cannot replace you if you want sync placements that last.
Warm Regards, Aaron Davison |
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