If you’re like most musicians, you’ve probably dreamed about hearing your tracks on TV shows, films, and commercials. Maybe you’ve even sent out a few emails, submitted some tracks to music libraries, or taken a few online courses, but the big placements never came.

Here’s the truth. Breaking into sync isn’t about luck. It’s about understanding how this industry really works, building real connections, and knowing exactly how to position your tracks for the right opportunities.

I know this because I’ve been in this game for over 20 years. My first publisher was my songwriting teacher at Berklee College of Music, and she was the one who first opened my eyes to the world of sync licensing. She taught me that it’s not just about writing great songs, but about understanding the context in which those songs are used, the relationships that drive the industry, and the strategies that actually get tracks placed.

Since then, I’ve placed hundreds of tracks in TV shows, films, commercials, and video games. I’ve helped hundreds of artists land thousands of placements in projects around the world. I’ve learned what works and what doesn’t. I’ve seen talented musicians struggle for years because they didn’t have a clear roadmap, and I’ve seen others break through quickly once they figured out the real rules of the game.

Along the way, I’ve had the chance to sit down with some of the most influential people in the sync world, learning directly from the best in the business. I’ve taken what I learned from these conversations and combined it with my own real-world experience to create a step-by-step system for landing placements.

🎙️ Susan Jacobs – Academy Award-Winning Music Supervisor
Susan Jacobs is a powerhouse in the world of music supervision, known for her work on projects like Big Little Lies, Silver Linings Playbook, and American Hustle. In our interview, Susan shared powerful insights on how to pitch your music, what supervisors are really looking for, and why less is often more when it comes to sync. If you want to know what it takes to break into this business, this episode is a must-listen.

Listen to the full interview here.

🎙️ Michèle Vice-Maslin – Emmy Award-Winning Songwriter
I also interviewed Michèle Vice-Maslin, a powerhouse songwriter with over 5,000 placements in TV and film. Her credits include everything from Pretty Little Liars to Keeping Up with the Kardashians to co-writes with Bob Dylan. In our conversation, Michèle shared the mindset, work ethic, and practical strategies that have helped her succeed in one of the toughest industries in the world.

Listen to the full interview here.

🎙️ Panel Discussion – AI in the Sync Licensing Industry
In the first episode of the Sync Lab podcast, my co-host Gary Gray and I brought together a panel of experts, including music supervisor Pamela Liptak, filmmaker Matt Deskiewicz, and composer David Fogel, to discuss the future of sync and how AI is changing the game. If you want to understand where this industry is headed, this episode is a must-listen.

Listen to the full interview here.

Why I Created The Sync Tank

These conversations, combined with my own experiences and the lessons I’ve learned over the past 20 years, are what inspired me to create The Sync Tank.

I wanted to build a program that doesn’t just give you information, but actually guides you step by step through the entire process of breaking into sync licensing. I’m talking about finding the right contacts, crafting the perfect pitch, negotiating fair deals, and landing real placements that pay you for years.

Most musicians waste years sending out cold emails, pitching to the wrong people, or just hoping for a lucky break. That’s a recipe for burnout, not success. The Sync Tank is about cutting through the noise and giving you a clear, repeatable system for landing real placements.

What You’ll Get When You Join The Sync Tank:

90 Days of High-Value Sync Leads
Every morning, you’ll wake up to fresh, exclusive sync opportunities, handpicked to match your exact style of music. This means no more wasted time pitching to the wrong people.

Private, One-on-One Coaching
You’ll get three private Zoom sessions where we’ll map out a personalized strategy for your music. I’ll help you polish your catalog, refine your pitches, and guide you through the exact steps I’ve used to land hundreds of placements.

Bi-Weekly Lessons and Assignments
Twice a week, you’ll receive video tutorials that cover every critical aspect of sync licensing, from crafting the perfect pitch to negotiating contracts, organizing your metadata, and getting paid.

Lifetime Access to HTLYM Premium
You’ll also get a lifetime membership to my premium sync licensing platform, packed with dozens of in-depth courses, contact directories, email templates, and more. This alone is valued at $997 and will keep paying off long after the program ends.

Save $150 When You Join by May 19

I’m offering a $150 discount if you join by Sunday, May 19. This is your chance to lock in a significant discount and secure your spot in a program designed to get you real, tangible results.

Spots Are Limited – Act Now

The Sync Tank is a small group program, and once these spots are gone, that’s it. If you’re serious about breaking into sync licensing, this is your moment. Don’t wait until the deadline. Lock in your spot now and set yourself up for a breakthrough summer.

Register by May 19:

👉 Click Here to Claim Your Spot

If you’re serious about making this the summer you finally break into sync licensing, this is your chance.

See you inside the member's area!

Aaron

P.S. If you’re not sure if this is the right fit, hit reply and let me know where you’re at. I’m happy to point you in the right direction.