How many tracks do you need to go full-time in sync?

Published: Fri, 07/11/25

Updated: Fri, 07/11/25

In the latest episode of The Sync Lab, I had a great conversation with Australian TV and film composer Bryn Evans.

Bryn's music has been featured in over 100 shows, including MTV’s Catfish, RuPaul’s Drag Race, The Real Housewives, All American, and even major sports broadcasts like the NBA and NFL. Most recently, he co-wrote a song for Anora, the Palme d’Or and Academy Award-winning film.

We talked about what it really takes to build a full-time income from music licensing, including:

-How long it takes to go full-time

-How many tracks you need in rotation

-The difference between licensing vocal tracks and instrumentals

-Exclusive vs non-exclusive contracts

-Licensing in the US when you live abroad

-Collaborating, networking, and getting feedback that actually helps
-and more!

Bryn’s a thoughtful, down-to-earth composer who has built a serious career in sync, and I think you’ll get a lot out of this one.

Listen to the new episode here:
https://open.spotify.com/episode/0NlzbGpV57RKIm4ph51oWL?si=f0d210f3a3b94c60

I’m putting together something for August designed to help serious composers pitch more effectively and finally start landing real placements.

More on that soon...

Talk soon,
Aaron

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