A few years ago, I had a few songs that I thought would be perfect for TV and film. They had great hooks, solid production, and I was sure music supervisors and music publishers would eat them up.
But after multiple attempts
to pitch these tracks, they didn't get placed.
Not once.
I pitched them over and over with no luck.
I thought maybe they just weren't good enough, until I finally got feedback from the
person who would end up becoming my first publisher in sync.
"Your songs are great, but you’re pitching them completely wrong. They simply aren't the types of tracks my clients are looking for right now."
She went on to give me a list of the types of songs she was actually in need of at that time and I wrote a batch of new tracks based on
what she was looking for. Less than two months later one of the tracks I ended up signing to her made its national television debut.
That’s when I realized sync licensing is not just about making great music. It’s about knowing how to position, pitch, and network the right way. Had this particular person not taken the time to explain to me what she was looking for and why the tracks
I were pitching weren't in demand; I could have easily wasted another year or even more shooting in the dark, pitching the wrong tracks to the wrong people.
I could have easily wasted a lot more time just spinning my wheels. Not getting anywhere. Don't let this happen to you.
Pitch The Right Songs To The Right People
Many musicians
assume that if their music is great, it will naturally land in TV shows and commercials. But sync licensing isn’t just about making great music. It’s about pitching the right tracks to the right people at the right time.
Music supervisors and publishers aren’t waiting around for random songs to land in their inbox. They have specific needs based on the projects they are working on, and if
your music doesn’t align with what they are looking for, it won’t matter how good it is. It will get passed over.
This is where most musicians struggle. They pour their energy into making music but don’t take the time to understand who they should be pitching to, what those people actually need, and how to deliver it in a way that increases their chances of success.
That is why I created The Sync Tank, to give artists a step-by-step system for navigating the sync industry the right way. Instead of wasting years guessing, you will learn exactly how to
target the right opportunities, craft pitches that get responses, and build relationships with the people who can actually place your music.
For the next 12 hours, you can still get in at the lower price before enrollment closes for good on Sunday.
Inside The Sync Tank,
you’ll get:
- One-on-one coaching to refine your pitches and strategy
- 90 daily sync leads, tailored to your music specifically
- Bi-weekly training and assignments to keep you accountable
- Lifetime access to HTLYM Premium, a $997 value, included for free
We start this Monday, February 17.
If you’re ready to stop guessing and start licensing your music, grab your spot before the price increases tonight.
https://www.htlympremium.com/sync_tank.html
See you inside,
Aaron
